Live Your Life and also Mine

I went to watch movie with some of my friends to Grand Indonesia. BUT, we watched the movie at EX. Because it was cheaper. Btw, here is the review:

Around the midpoint of "Defiance"Tuvia Bielski (Daniel Craig) sits astride his horse, welcoming new arrivals to his encampment in the Belarussian forest. It is late in 1941, and the newcomers, like the other people in this makeshift settlement, are Jews from surrounding towns and villages who have fled the savagery of the German Army and its local collaborators. Tuvia addresses these terrified survivors in a calm, authoritative voice, assuring them that here, under his protection, they will be free and safe. A little boy looks up in amazement at this heroic figure and asks his mother, “Is he a Jew?”

“Jews don’t fight,” a Russian officer remarks when he meets Tuvia and his younger, angrier brother Zus (Liev Schreiber). “These Jews do” is the response, and also the gist of Edward Zwick’s stiff, musclebound new movie. Based on a book by Nechama Tec, “Defiance” tells the true and astonishing story of the Bielski partisans, who fought the Nazis and rescued hundreds of Jews through the darkest years of war and genocide.

Tuvia and Zus — along with two other brothers, Asael (Jamie Bell) and Aron (George MacKay), who is still a child — meet up in the forest after their parents have been murdered by local authorities working in league with the German invaders. The Bielski boys are rough characters — a history of smuggling and petty criminality is hinted at — who can hold their vodka and know how to shoot, how to steal and how to navigate the dense and trackless forests.

In contrast, many of the people they rescue are what Zus calls malbushim, the Hebrew word for clothes, which he uses to describe people he thinks are worthless. And this film’s characters more or less are what they wear. Tuvia cuts a dashing figure in his brown leather jacket. An older schoolteacher (Allan Corduner) with a fedora, a fine scarf and a nicely trimmed beard arrives coughing and quoting Talmud.

Another malbesh, Isaac (Mark Feuerstein), with round glasses and a nebbishy vest, can barely use a hammer. “What is it you do?” Zus asks. “I suppose you could say I was — I am — an intellectual,” Isaac stammers. Zus cannot hide his amusement, or his contempt: “This is a job?”

Well, not really, but it’s always useful, at least in a movie like this one, to have someone around to say things like “At least Descartes recognized the subjective nature of existence” or “If my friends at The Socialist Review could see me now!” And in the society that Tuvia builds in the forest (after Zus, more a fighter than an organizer, joins up with a Red Army brigade), intellectuals do have a role.

In addition to comic relief, Isaac and the schoolteacher provide a measure of ethical guidance and political counsel. Or at least they seem to. “You have ideas about community?” Tuvia asks Isaac, and later, when Tuvia, on horseback, utters the word “community,” Isaac smiles.

Mr. Zwick, whose other movies include “Glory,” “The Siege” and “Blood Diamond,” is many things, but subtle is not one of them. (Remember that horse in the first paragraph? Did I mention that it was white?) He wields his camera with a heavy hand, punctuating nearly every scene with emphatic nods, smiles or grimaces as the occasion requires. His pen is, if anything, blunter still, with dialogue that crashes down on the big themes like a blacksmith’s hammer.

And the performances he wrings from his cast would not be out of place in an old Second Avenue Yiddish melodrama or a modern Egyptian soap opera. Just as the intellectuals are on hand to argue and fret, so are the women called upon to gaze at the Bielskis with wide, melting eyes. Three of them (Alexa Davalos, Iben Hjejle and Mia Wasikowska) will be chosen as “forest wives” by Tuvia, Zus and Asael. “You saved my life,” says Lilka (Ms. Davalos) to Tuvia as they lie together, wrapped in furs and illuminated by golden sunlight. “No. You saved mine,” he says.

But while Mr. Zwick is frequently clumsy, he is not dumb. You might even say that he is an intellectual, since “Defiance” is animated as much by an idea as by rousing, emphatic emotions. It is most interesting, and most persuasive, not as a chronicle of heroic action but rather as a series of arguments — mainly between the patient Tuvia and the hot-headed Zus — about justice, righteousness and how a decent society should function. Zus is a man of action, Tuvia a man of principle, but in good dialectical fashion each one cedes some ground to the other — Tuvia by condoning and committing necessary acts of violence, Zus by saying something nice every once in a while.

-auReL-